An Analysis of Verbal Humor Translation Techniques in the Subtitles of Film 8 Rue de l’Humanité
Analisis Teknik Penerjemahan Humor Verbal dalam Teks Terjemahan Film 8 Rue de l’Humanité
DOI:
https://doi.org/10.58194/eloquence.v5i2.3699Keywords:
Audiovisual Translation, Verbal Humor, Translation Techniques, Humor SourcesAbstract
Background: The growth of streaming platforms has advanced audiovisual translation; however, humor transfer in films remains challenging due to linguistic and cultural context.
Purpose: This study examines the subtitling of verbal humor in the French comedy film 8 Rue de l’Humanité (2021) into Indonesian to analyze how humor source characteristics influence translation technique selection.
Method: A descriptive qualitative design using qualitative content analysis was employed, with the researcher serving as the primary instrument. The data consisted of the 125-minute French film 8 Rue de l’Humanité (2021) and its Indonesian Netflix subtitles. All subtitle utterances were screened, and those identified as verbal humor based on Shade’s classification were included in the analysis. Data were collected through document analysis using note-taking techniques and analyzed using the Miles and Huberman interactive model, integrating Shade’s verbal humor classification, Molina and Albir’s translation techniques, and Raphaelson-West’s humor sources. Analytical credibility was ensured through supervisory review and theory-based data cards that served as an audit trail.
Results and Discussion: The analysis identified 40 instances of verbal humor in 8 Rue de l’Humanité (2021), dominated by irony, wit, and sarcasm, each occurring 10 times (25.0%). Six translation techniques were identified, with literal translation (42.5%) and modulation (27.5%) being the most frequent. The findings indicate that the selection of translation techniques is not determined by humor types but is instead influenced by the underlying characteristics of humor sources, whether universal, linguistic, or cultural. This study shows that humor source characteristics appear to influence translators’ decisions to preserve or reconstruct humorous effects in the target language.
Conclusions and Implications: The study concludes that verbal humor transfer in subtitling does not rely on fixed techniques based on humor types. Instead, technique selection is adapted to humor source characteristics and the medium's spatial and temporal constraints. Future research should expand the corpus and examine audience acceptability.
References
[1] A. Hrabčáková, “Some Current Trends and Research Possibilities in the Audiovisual Translation of the 2020s,” Language, Culture, Politics, vol. 1, no. 1, pp. 49–61, Jan 2023, doi: https://doi.org/10.54515/lcp.2023.1.49-61.
[2] Y. Wang and A. J. Daghigh, “Two Decades of Audiovisual Translation Studies: A Bibliometric Literature Review,” SAGE Open, vol. 14, no. 3, Sep 2024, doi: https://doi.org/10.1177/21582440241274575.
[3] S. M. Van Hoecke, I. Schrijver, and I. S. Robert, “Preparing and comparing subtitles for quasi-experimental and experimental research in audiovisual translation studies,” Translation Spaces, vol. 11, no. 1, pp. 113–133, Jul 2022, doi: https://doi.org/10.1075/ts.21038.van.
[4] B. Abdirasulov and M. Arayici, “Audiovisual translation: Subtitling and dubbing challenges,” SPAST Reports, vol. 5, no. 6, pp. 336–343, Jun 2025, doi: https://doi.org/10.47390/SPR1342V5I6Y2025N55.
[5] V. Violita and H. Cholsy, “Speech Acts Equivalence of Audiovisual Translation on Enola Holmes Netflix Movie Subtitle,” IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature, vol. 10, no. 1, pp. 209–225, Jun 2022, doi: https://doi.org/10.24256/ideas.v10i1.2589.
[6] A. Alfaify, “Breaking the Rules, One Subtitle at a Time: A Comparative Analysis of Discrepancies between Theory and Practice in Professional Subtitling and Captioning,” International Journal of Linguistics and Translation Studies, vol. 6, no. 4, pp. 92–125, Oct 2025, doi: https://doi.org/10.36892/ijlts.v6i4.634.
[7] S. W. Ali, “Subtitle Translation from a Multimodal Perspective: Text and Visual Integration in Animated Film,” International Journal of English Education and Linguistics (IJoEEL), vol. 6, no. 2, pp. 230–239, Dec 2024, doi: https://doi.org/10.33650/ijoeel.v6i2.9612.
[8] R. Al-Ezzi and I. Al-Qudah, “English Translation of Verbal Humour in Egyptian Comedy Films,” World Journal of English Language, vol. 14, no. 1, pp. 157, Nov 2023, doi: https://doi.org/10.5430/wjel.v14n1p157.
[9] A. D. Kurniawan, “Peran Konteks Dalam Menerjemahkan Humor: Tantangan dan Strategi Untuk Memahami Humor Antar Budaya,” Jurnal Ilmu Sosial Humaniora, vol. 3, no. 2, pp. 127-136, Dec 2024, doi: https://doi.org/10.57248/jishum.v3i2.494.
[10] A. F. T. Mulyati and A. B. Nugroho, “Translation of verbal humor in Charlie and the Chocolate Factory movie,” Diksi, vol. 31, no. 1, pp. 25–36, Mar 2023, doi: https://doi.org/10.21831/diksi.v31i1.56407.
[11] L. Shao, “The Subtitling Translation of Humour in the Film Hi, Mom,” Highlights in Art and Design, vol. 10, no. 2, pp. 176-179, May 2025, doi: https://doi.org/10.54097/1abbw413.
[12] P. Volf, “Translation techniques as a method describing the result and classifying the types of translation solutions,” Regular Issue Article, vol 14, no. 2, pp. 1-7, Jun 2020, doi: https://doi.org/10.51708/apptrans.v14n2.1171.
[13] M. P. Ratna, L. A. D. E. Saputri, R. Y. Zunaira, and M. A. Ghifara, “Cross-cultural messaging: evaluating the consistency of climate change communication post-translation”, E3S Web of Conferences, 2025, doi: https://doi.org/10.1051/e3sconf/202560503015.
[14] P. A. Permadi, “Analisis Teknik Penerjemahan Wacana Humor Insults dalam Subtitle Film Qu'est-Ce Qu'on A Fait Au Bon Dieu? 2014,” Deskripsi Bahasa, vol. 4, no. 2, pp. 94–102, Jul 2021, doi: https://doi.org/10.22146/db.v4i2.4734.
[15] F. S. Pranata, F. Amalia, and D. Gumilar, “Analisis Perbandingan Teknik Penerjemahan Humor Verbal pada Takarir Film Intouchables (2011) dan Amélie (2001),” PRANALA, vol. 8, no. 1, pp. 1–13, Jun 2025, doi: https://doi.org/10.23960/pranala.v8i1.841.
[16] R. B. A. Mulladawilah and M. Zawawi, “Formal & Dynamic Equivalence in Two English Translation of Nancy Ajram’s “Fi Hagat” Song,” Eloquence Journal of Foreign Language, vol. 4, no. 3, pp. 623-643, Dec 2025, doi: https://doi.org/10.58194/eloquence.v4i3.3066.
[17] R. A. Shade, License to Laugh: Humor in the Classroom. Englewood, Colo: Teacher Ideas Press, 1996.
[18] L. Molina and A. H. Albir, “Translation Techniques Revisited: A Dynamic and Functionalist Approach,” Meta Journal des traducteurs, vol. 47, no. 4, pp. 498–512, 2002. doi: https://doi.org/10.7202/008033ar.
[19] D. S. Raphaelson-West, “On the feasibility and strategies of translating humour,” Meta, vol. 34, no. 1, pp. 128–141, 1989.
[20] S. Anshori, Penerjemahan Audiovisual. Bengkulu, Indonesia: LP2 IAIN CURUP, 2024.
[21] J. D. Cintas and A. Remael, Subtitling: Concepts and practices. London: Routledge, 2020.
[22] R. A. Valdeón, “Latest trends in audiovisual translation,” Perspectives, vol. 30, no. 3, pp. 369–381, Jun 2022, doi: https://doi.org/10.1080/0907676X.2022.2069226.
[23] J. Ning and X. Mo, “On Audiovisual Translation from the Perspective of Multimodal Discourse Analysis: A Case Study of Wolf Warrior 2,” Bilingual Publishing Group, vol. 7, no. 8, pp. 411-424, Aug 2025, doi: https://doi.org/10.30564/fls.v7i8.9992.
[24] S. Negi and R. Mitra, “Native Language Subtitling of educational videos: A multimodal analysis with eye tracking, EEG and self-reports,” British Journal of Education Technology, vol. 53, no. 6, pp. 1793-1816, Apr 2022, doi: https://doi.org/10.1111/bjet.13214.
[25] F. S. L. Hutajulu and H. Herman, “Analysis of Illocutionary Act in the Movie 'You Are My Home' English Subtitle,” Journal of English Educational Study (JEES), vol. 2, no. 1, pp. 29-36, 2019, doi: https://doi.org/10.31932/jees.v2i1.371.
[26] R. Ilyas dan Y. Nurhidayah, “Penerjemahan teks audio visual (subtitling),” Jurnal Educatio FKIP UNMA, vol. 5, no. 2, pp. 154–160, Dec 2019. Tersedia pada: https://ejournal.unma.ac.id/index.php/educatio/article/view/398
[27] P. Zabalbeascoa, “Multilingual humor in audiovisual translation,” in Humor Translation in the Age of Multimedia. M. Dore, Ed. London, UK: Routledge, 2020, bab. 7, pp. 116-135, doi: https://doi.org/10.4324/9780429316081-7.
[28] M. Dore, Ed., Humor Translation in the Age of Multimedia. London, UK: Routledge, 2020, doi: https://doi.org/10.4324/9780429316081.
[29] C. Xia, M. Amini, and K.-F. Lee, “Humor translation: A case study on the loss of humorous loads in SpongeBob SquarePants,” Cadernos de Tradução, vol. 43, no. 1, pp. 1–33, 2023. doi: https://doi.org/10.5007/2175-7968.2023.e89705.
[30] I. G. A. M. Agung, “Humor Subtitling in Stand-Up Comedy Raditya Dika” Prosiding Seminar Nasional Linguistik dan Sastra, 2021. Tersedia pada: https://jurnal.uns.ac.id/prosidingsemantiks/article/view/52938.
[31] S. Attardo, “Verbal Humor” in Encyclopedia of Humor Studies, S. Attardo, Ed. Thousand Oaks, CA, USA: Sage Publications, 2014, doi: https://doi.org/10.4135/9781483346182.n356.
[32] D. Purwitarini, “Analisis Humor Verbal Dalam Konten Video Siniar #Sekutfm di Yotube Gofar Hilman,” Jurnal Informatika Indonesia, vol. 1, no. 2, pp. 45-69, Jan 2026. Tersedia pada: https://ejournal.samudrailmu.com/index.php/jfi/article/view/75.
[33] K. Pilyarchuk, “Wordplay-based humor: to leave it or to translate it, that is the question,” The European Journal of Humour Research, vol. 12, no. 2, pp. 120–144, Jun 2024, doi: https://doi.org/10.7592/EJHR.2024.12.2.915.
[34] S. Erhadians, R. Yanti, Yalmiadi, and I. Shabri, “A preliminary study of verbal humor found in ellen degeneres show with jackie chan,” Prologue, vol. 10, no. 2, pp. 440-454, Sep 2024, doi: https://doi.org/10.36277/jurnalprologue.v10i2.191.
[35] M. H. Harahap and Mulyadi, “Humor Verbal pada Komik Setrip “Tahilalats” Karya Nufadli Mursyid,” Multiverse Open Multidisciplinary Journal, vol. 1, no. 2, pp. 25-31, Aug 2022, doi: https://doi.org/10.57251/multiverse.v1i2.575.
[36] V. I. Pingga and R. Arini, “Verbal humour and its translation strategies in the Indonesian subtitles of Unfrosted film,” Journal of Science and Social Research, vol. 8, no. 2, pp. 3237–3245, May 2025, doi: https://doi.org/10.54314/jssr.v8i2.3185.
[37] S. A. Khanday and D. Khanam, “The research design,” Journal of Critical Reviews, vol. 6, no. 3, pp. 367-376, Feb 2023.
[38] Nurhayati, H. Apriyano, J. Ahsan, and N. Hidayah, Metodologi Penelitian Kualitatif. Jambi, Indonesia: PT. Sonpedia Publishing Indonesia, 2024.
[39] N. H. Auliya et al., Metode Penelitian Kualitatif & Kuantitatif, H. Abadi, Ed. Yogyakarta, Indonesia: Pustaka Ilmu, 2020.
[40] T. Priatna et al., “Teknik pengumpulan data dalam pendekatan kualitatif,” MIJI, vol. 5, no. 2, pp. 707–713, Dec 2025, doi: https://doi.org/10.69796/miji.v5i2.473.
[41] Sugiyono, Metode Penelitian Kuantitatif, Kualitatif, dan R&D. Bandung, Indonesia: ALFABETA, 2020
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Raisya Tiara Nurradyarahma, Iim Siti Karimah, Farida Amalia

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.











